‘द बॉडी’ सीरीज़ की समीक्षा: कैथलिक धर्म के डर के साथ-साथ मज़ा लेने के लिए एक शानदार ढंग से उलझा हुआ टीन ड्रामा
- bypari rathore
- 14 November, 2026

India, November 13, 2026: ‘The Body’ series review: A deliciously twisted teen drama to be enjoyed with a side of Catholic dread. The Hindu reported the development in a detailed account.
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Unlock these with Subscription The View From India Looking at World Affairs from the Indian perspective. First Day First Show News and reviews from the world of cinema and streaming. Today's Cache Your download of the top 5 technology stories of the day.
Data Point Decoding the headlines with facts, figures, and numbers THEdge At the cutting edge of education and careers Health Matters Ramya Kannan writes to you on getting to good health, and staying there The Hindu On Books Books of the week, reviews, excerpts, new titles and features. The clunky phones, Bridget Jones muttering about stick insects, Britney Spears at the VMAs, IM and group chats (the venerable ancestor of WhatsApp), and Björk tell us 20 years have passed since the innocent, heady days of the internet when everything probable was possible. Mark’s Catholic High School as they receive Holy Communion from Father Franklin (Nnamdi Asomugha).
It is Halloween 2004, and auditions are being held for a spot on the school dance troupe, The Lions. The Lions is headed by Anya (Kristina Bogic) and her best friend Elise (Sara Boustany). The pretty and deeply religious Grace (Sofia Wylie), who is also Father Franklin’s niece, is trying out for the spot, as is the weird new girl, Lisbeth (Geena Meszaros).
The Lions vote for Grace and invite her to the initiation party at a haunted house. Lisbeth also wrangles an invitation and when things go very wrong at the party, she manages to get Anya beholden to her. Grace is in an inexplicable coma; the students begin to see visions while the Lions practise for a dance competition a fortnight away.
Creator and writer Quinn Shephard, who looked to her adolescence for inspiration, says the series is an ode to all the movies she loved growing up, while also dealing with universal problems such as the search for identity, acceptance, and loving who you are. The Body is funny, unsettling, visually exciting, and a tender exploration of love in its many forms. While there is a definite Carrie vibe at the beginning, and Stephen King’s troubled teenager is also referenced when one of the girls speaks of “Carrie and her psycho mom”, The Body is very much its own creation.
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